THE NEW YORK TIMES BESTSELLERLEE SMITHAuthor of News of the SpiritTHE LAST GIRLSA Novel“Wise and insightful . . . The Last Girls deserves to be shared, pondered, and treasured.”–The Dallas Morning News“[A] GENIAL, THOUGHTFUL, FUNNY NOVEL, WRITTEN WITH THE WIT AND ASSURANCE OF A BORN STORYTELLER.”–The Hartford Courant“RICH AND DELICIOUS . . . THE STORY OF FOUR WOMEN . . .Years ago, they were girls, not women–the last generation of American females to be called ‘girls’–who traveled down the Mississippi River . . . on a makeshift raft while they were on summer vacation . . . There were twelve of them on that trip; now there are these four, brought together by tragedy. One of their classmates . . . has died in an automobile wreck (was it really an accident?), and her husband has asked the old friends to re-create the river journey and scatter her ashes at the mouth of the Mississippi. . . . It’s a reunion of classmates with all of the in-between revealed in intimate detail, as only a skilled and classy storyteller can do it.”–The Boston Globe“AN HONEST PORTRAIT OF INTELLIGENT, WELL-ROUNDED SOUTHERNERS is always refreshing, and The Last Girls delivers. The book may be influenced by Twain, but Smith proves she has a voice all her own.”–USA Today“BREEZILY WRITTEN AND DISPLAYING SMITH’S TRADEMARK PITCH-PERFECT EAR FOR DIALOGUE, funny but with the dark touches of all good comedy, the novel charts the course by which the ‘girls’ . . . seek love and self-fulfillment during the three decades approaching the end of the century. Call it Huckleberry Fin de Siècle.”–Time Out New York“SMITH’S COMIC GENIUS SPARKLES . . . Under Smith’s deft hand, these woman bloom exceptionally authentic.. . Using the premise that both a reunion and a riverboat provide good lookouts on the past, she details the passing terrain as she details each woman’s emotional history, from child to adult, from dates to love affairs, from silly shenanigans to tragic accidents. And what details! The book is filled with memorable scenes. . . . Smith adds a purely feminine, deeply southern twist to the Mark Twain tradition of humor and precision applied generously to the subject of human weakness.”–Richmond Times-Dispatch“Lee Smith’s genius is in her seamless weaving of the two stories, past and present, so that we realize what the stakes are for these women, and how they have arrived at the reunion as footsore pilgrims–a bit battered and bruised, but sailing on nevertheless. . . . Smith has that talent that all storytellers envy: the ability to dive deeply into the lives of her characters, to bring them to life in their rich fullness, warts and all. Each of these women could energize an entire book. Each brings something unique and captivating to a superb tale that will stay with you long after the reading is done. Together they compel each of us to ask what has brought us to the near shore, and how we set sail from here.”–The Boston GlobeAmazon.com ReviewIn the brisk and readable The Last Girls, acclaimed Southern writer Lee Smith reunites four college suitemates on a boat tour of the mighty Mississippi. Thirty-five years before, inspired by reading Twain's Huckleberry Finn in class (a detail not nearly revisited enough), the women floated down the same river on a manmade raft; now they are gathered at the request of their recently deceased ringleader's husband. The story unfolds through the eyes of each woman as the old friends weave college memories with their own dramas spanning the three decades since graduation. Harriet, Courtney, Catherine, and Anna come through muddily compared to their dead friend Baby. Even in death, Baby, a Sylvia Plath-like creature with voracious appetites for poetry, self-mutilation, and sex, nearly overwhelms her more reticent friends with past behaviors better suited to a mental institution than a dorm room. As the tour boat bobs along in the wake of these women's emotional crises, Smith offers up the contemporary female life experience, fivefold. At its heart, this is a book about how we never quite outgrow the past, even after plenty of chances to do otherwise. --Emily RussinFrom Publishers WeeklyThe Big Chill meets Huckleberry Finn in a moving novel inspired by a real-life episode. Thirty-six years ago, Smith (Oral History) and 15 other college "girls" sailed a raft down the Mississippi River from Kentucky to New Orleans in giddy homage to Huck. Here she reimagines that prefeminist odyssey, and then updates it, as four of the raft's alumnae take a steamboat cruise in 1999 to recreate their river voyage and scatter the ashes of one of their own. What results is an unsentimental journey back to not-quite-halcyon college days of the mid-1960s ("periods cramps boys dates birth babies the works") masterfully intercut with more recent stories of marriages, infidelities, health crises and career moves, all set firmly in the South. At first the characters threaten to be mere stereotypes: innocent, self-sacrificing Harriet; arty, maternal Catherine; brittle Southern belle Courtney; brassy romance novelist Anna. But Smith reveals surprising truths about each character, even as she suggests that the fate of their departed classmate-the wild, promiscuous, possibly suicidal Baby-may never be understood. The steamboat setting provides ample opportunities to skewer cruise ship tackiness and Southern kitsch, a witty counterpoint to the often troubled personal stories of the passengers. Readers who like their plots linear may be challenged by the tangle of tales, but those who agree that "there are no grown-ups," and that there's "no beginning and no end" to the "real story" of people's lives, will find this tender, generous, graceful novel a delight. Copyright 2002 Reed Business Information, Inc.