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Author: Aldous Huxley

Category: Literature

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  Irene, meanwhile, feeling herself excused by long familiarity from paying much attention to the marine deities, had noticed that the loose cretonne covers of the arm-chairs were crumpled. Being naturally tidy — and since she had lived with Aunt Lilian she had had to be tidy for two — she tiptoed across the room to smooth them out. Bending down to the nearest of the chairs, she took hold of the loose cover near the front of the seat and gave it a smart pull down, so as to loosen it completely before she tucked it tidily in again. The stuff came forward like a suddenly bellying sail and with it there was shot out — from nowhere, as though Irene had been doing a conjuring trick — a glittering shower of jewels. They rattled on the floor, they rolled over the tiles. The noise disturbed Miss Thriplow in her rapt and child-like contemplation of the sponge-stone niches. She turned round just in time to see a scarab ring racing towards her, with the limp of an eccentric hoop, across the tiles. Arrived within a few feet of her it lost speed, it staggered, it fell on its side. Miss Thriplow picked it up.

  ‘Oh, it’s only my rings,’ she said airily, as though it were the most natural thing in the world for her rings to come jumping out of the chair when Irene straightened out the cover. ‘That’s all,’ she added reassuringly to Irene, who was standing, as though petrified by surprise, looking down at the scattered jewels.

  Mrs. Aldwinkle was fortunately absorbed in telling Calamy about Pasquale da Montecatini.

  CHAPTER III

  DINNER WAS SERVED in the Saloon of the Ancestors. In Mrs. Aldwinkle’s enthusiastic imagination what marvellous symposia had been held within those walls — centuries even before they were built — what intellectual feasts! Aquinas, here, had confided to an early Malaspina his secret doubt on the predictability of rollations, had twitted the robber marquess, over a goblet of wine, with the feebleness of his synderesis. Dante had insisted on the advantages of having a Platonic mistress whom one never met and who could, when necessary, be identified with Theology. Peter of Picardy, meanwhile, on his way to Rome had recited from his rhymed version of Physiologus the lines on the Hyaena, a beast which, besides being an hermaphrodite, carries in its eye a stone which, held by a man in his mouth, permits him to see the future; it symbolizes moreover avarice and lasciviousness. Learned Boccaccio had discoursed on the genealogy of the gods. Pico della Mirandola, over the boar’s head, quoted the kabbala in support of the doctrine of the Trinity. Michelangelo had expounded his plans for the façade of San Lorenzo in Florence. Galileo had speculated why it is only up to thirty-two feet that Nature abhors a vacuum. Marini had astonished with his conceits. Luca Giordano, for a wager, had painted, between the roast and the dessert, a full-sized picture of Hannibal crossing the Alps. . . . And then, what brilliant ladies heightened the lustre of these feasts! Lovely, perennially young, accomplished as the protagonists of Castiglione’s Courtier, amorous in the extreme — they inspired the men of genius to yet higher flights, they capped their hardiest sallies with a word of feminine grace.

  It had been Mrs. Aldwinkle’s ambition, ever since she bought the palace, to revive these ancient glories. She saw herself, unofficially a princess, surrounded by a court of poets, philosophers and artists. Beautiful women should swim through the great saloons and the gardens, glowing with love for the men of genius. And periodically — for the apartment of the dwarfs, which the Cybo Malaspina, in imitation of the Gonzaga, had included in their palace, demanded appropriate inhabitants to furnish it — periodically they should bring forth, painlessly, children to the men of genius — all curly-headed, fully toothed and two years old on the day of birth, and all infant prodigies. Rows of little Mozarts. In a word, the palace of Vezza should re-become what it had never been except in Mrs. Aldwinkle’s fancy.

  What it had been in fact one could only guess by looking at the faces of the Ancestors who gave the banqueting-hall its name.

  From circular niches set high in the walls of the huge square room the lords of Massa Carrara looked out, bust after bust, across the intervening centuries. Right round the room they went, beginning on the left of the fireplace and ending, with the penultimate Cybo Malaspina, who arranged the room, on the right. And as marquess succeeded marquess and prince, prince, an expression of ever profounder imbecility made itself apparent on the faces of the Ancestors. The vulture’s nose, the formidable jaw of the first robber marquess transformed themselves by gradual degrees into the vague proboscides of ant-eaters, into criminally prognathous deformities. The foreheads grew lower with every generation, the marble eyes stared ever blanklier and the look of conscious pride became more and more strongly marked on every countenance. It was the boast of the Cybo Malaspina that they had never married beneath them and that their heirs had always been legitimate. One had only to look at the faces of the last three Princes to feel sure that the boast was amply justified. Were these the Muses’ friends?

  ‘You can imagine the splendour of the scene,’ said Mrs. Aldwinkle rapturously as she entered the Saloon of the Ancestors on Calamy’s arm. ‘The innumerable candles, the silks, the jewels. And all the crowd manœuvring in the most stately manner according to the rules of etiquette.’ The last representative, albeit adoptive, of these gorgeous beings, Mrs. Aldwinkle lifted her head still higher and with a still more swelling port sailed across the huge room towards the little table where, in shrunken splendour, the successors of Cybo Malaspina were to dine. The train of her coral-coloured velvet dress rustled after her.

  ‘It must have been very fine,’ Calamy agreed. ‘Certainly, from the point of view of picturesqueness, we’ve lost by the passing of etiquette. One wonders how much further informality will go. Mr. Gladstone, in his old age, paid a visit to Oxford and was horrified to observe the new fashions in undergraduates’ dress. In his young days every young man who respected himself had at least one pair of trousers in which he never sat down for fear of making them bag at the knees, while the outfit in which he normally walked about the streets was never worth less than seventy or eighty pounds. And yet, in the time of Mr. Gladstone’s visit, the undergraduates still wore stiff collars and bowler hats. What would he have said if he could have seen them now? And what shall we say fifty years hence?’

  The company disposed itself round the table. Calamy, as the new arrival, occupied the place of honour on Mrs. Aldwinkle’s right.

  ‘You’ve broached a very interesting subject,’ said Mr. Cardan, who sat opposite him, on their hostess’s left. ‘Very interesting,’ he repeated, as he unfolded his napkin. Mr. Cardan was a middle-sized, thickly built man. The upper hem of his trousers followed an ample geodesic; his shoulders were very broad, his neck short and powerful. The red face looked tough and knobbly like the head of a cudgel. It was an enigmatic and equivocal face, whose normal expression was at once gross and sensitively refined, serious and sly. The mouth was small and its thin lips fitted tightly together, as though they were the moving parts of a very well made piece of furniture. The line that marked the meeting of the lips was almost straight, but at one end its horizontal gravity was deflected a trifle downwards, so that Mr. Cardan seemed to be for ever in process of suppressing a wry smile that was for ever importunately troubling his demureness. The hair was smooth, silvery and saintly. The nose was short and straight, like a lion’s — but a lion’s that had become, with time and good living, rather bottled. Looking out from the midst of a web-work of fine wrinkles, the eyes were small, but bright and very blue. As the result, perhaps, of an illness — or perhaps it was merely under the weight of five-and-sixty years — one white eyebrow had settled down permanently lower than the other. From the right side of his face Mr. Cardan looked at you mysteriously and confidentially through the gap in a kind of chronic wink. But from the left the glance was supercilious and aristocratic, as though the western socket had been stretched by an invisible monocle a size or so too large for it. An expression of benevolence mingled with malice shone in his glance while he was talking; and when he laughed, every polished red facet of his cudgel’s face twinkle
d with mirth, as though suddenly illumined from within. Mr. Cardan was neither a poet nor a philosopher; nor of a remarkably brilliant family; but Mrs. Aldwinkle, who had known him intimately for many years, justified his inclusion among her courtiers on the ground that he was one of the obscure Great: potentially anything he chose to be, but actually, through indolence, unknown.

  Mr. Cardan took a couple of spoonfuls of soup before proceeding. ‘A very interesting subject,’ he repeated yet again. He had a melodious voice, ripe, round, fruity and powdered, as it were, with a bloom of huskiness — the faint hoarseness of those who have drunk well, eaten well and copiously made love. ‘Formality, external pomp, etiquette — their practical disappearance from modern life is really a most extraordinary thing, when you come to think of it. Formality and pomp were one of the essential features of ancient government. Tyranny tempered by transformation scenes — that was the formula of all governments in the seventeenth century, particularly in Italy. Provided you treated your people to a procession or some similarly spectacular function once a month or thereabouts, you could do whatever you pleased. It was the papal method par excellence. But it was imitated by every grand seigneur, down to the most piddling little count in the peninsula. Look how all the architecture of the period is conditioned by the need for display. The architect was there to make backgrounds for the incessant amateur theatricals of his employers. Huge vistas of communicating saloons to march down, avenues for processions, vast flights of steps to do the Grand Monarch descent from the skies. No comfort — since comfort is only private — but an immense amount of splendour to impress the spectator from outside. Napoleon was the last ruler to practise it systematically and scientifically on the grand scale. Those reviews, those triumphal entries and exits, those coronations and weddings and christenings, all those carefully prepared stage effects — why, they were half his secret. And now these pomps are no more. Are our rulers so stupid and so regardless of the lessons of history that they neglect these aids to government? Or can it be that tastes have changed, that the public no longer demands these shows and is no longer impressed by them? I put the question to our political friends.’ Mr. Cardan leaned forward, and looking past Miss Thriplow, who sat on his left, smiled at the young man who sat beyond her and at the older man occupying the corresponding place on the opposite side of the table, next to Irene Aldwinkle.

  The young man, who looked even younger than he really was — and at best it was only two or three months since Lord Hovenden had attained his majority — smiled amiably at Mr. Cardan and shook his head, then turned hopefully to the person who sat opposite him. ‘Ask me anover,’ he said. Lord Hovenden still found it difficult to pronounce a th. ‘What do you say, Mr. Falx?’ An expression of respectful attention appeared on his boyish, freckled face as he waited for Mr. Falx’s answer. Whatever the answer might be, it was obvious that Lord Hovenden would regard it as oracular. He admired, he revered Mr. Falx.

  Mr. Falx, indeed, invited admiration and respect. With his white beard, his long and curly white hair, his large dark liquid eyes, his smooth broad forehead and aquiline nose, he had the air of a minor prophet. Nor were appearances deceptive. In another age, in other surroundings, Mr. Falx would in all probability have been a minor prophet: a denouncer, a mouthpiece of the Lord, a caller to salvation, a threatener of wrath to come. Having been born in the middle of the nineteenth century and having passed the years of his early manhood in the profession which, between three and seven, every male child desires to embrace — that of the engine driver — he had become not exactly a prophet, but a Labour leader.

  Lord Hovenden, whose claim to figure in Mrs. Aldwinkle’s court was the fact that she had known him since he was a baby, that he was descended from Simon de Montfort, and that he was immensely rich, had added a further merit: he had become an ardent Guild Socialist. An earnest young schoolmaster had first apprised him of the fact — hitherto but very imperfectly realized by Lord Hovenden — that there are a great many poor people whose lives are extremely disagreeable and arduous and who, if justice were done, would be better off than they are at present. His generous impulses were stirred. Youthfully, he desired to precipitate an immediate millennium. Perhaps, too, a certain egotistical ambition to distinguish himself above his fellows had something to do with his enthusiasm. Among persons born in privileged positions and in the midst of wealth, snobbery often takes a form rather different from that which it commonly assumes. Not always, indeed; for there are plenty of rich and titled persons who regard wealth and title with the same abject respect as is shown by those whose acquaintance with the nobility and the plutocracy is only in fiction and the pages of the weekly papers. But others, whose ambition it is to climb out of the familiar surroundings into, at any rate intellectually, higher spheres, become infected with a passionate snobbery in regard to the artistic or political world. This snobbery — the snobbery of blood towards brain — had mingled without his being conscious of it with Lord Hovenden’s purely humanitarian ardour, and had given it added strength. Lord Hovenden’s pleasure at being introduced to Mr. Falx had been enormous, and the thought that he alone, of all his friends and relations, enjoyed the privilege of Mr. Falx’s acquaintance, that he alone was free of the exciting political world in which Mr. Falx lived, had made him more than ever enthusiastic in the cause of justice. There had been occasions, however — and they had become more frequent of late — when Lord Hovenden had found that the demands made on him by a strenuous social life left him very little time for Mr. Falx or Guild Socialism. For one who danced as long and often as he did it was difficult to pay much attention to anything else. In lulls between the merrymaking he remembered with shame that he had not done his duty by his principles. It was to make up for arrears in enthusiasm that he had cut short his grouse shooting to accompany Mr. Falx to an International Labour Conference in Rome. The conference was to be held towards the end of September; but Lord Hovenden had sacrificed a month’s more shooting than was necessary by suggesting that, before the conference, Mr. Falx and he should go to stay for a few weeks with Mrs. Aldwinkle. ‘Come when you like and bring whom you like.’ Those were the words of Lilian’s invitation. He telegraphed to Mrs. Aldwinkle to say that Mr. Falx needed a holiday and that he proposed to bring him; Mrs. Aldwinkle replied that she would be delighted to have him. There they were.

  Mr. Falx paused for a moment before answering Mr. Cardan’s question. He turned his bright dark eyes round the table, as though collecting everybody’s attention; then spoke in the penetrating musical voice that had stirred so many audiences to enthusiasm. ‘Twentieth-century rulers,’ he said, ‘respect the educated democracy too much to try to bamboozle it and keep it falsely contented by mere shows. Democracies demand reason.’

  ‘Oh, come,’ protested Mr. Cardan. ‘What about Mr. Bryan’s agitation against Evolution?’

  ‘Moreover,’ Mr. Falx went on, ignoring the point, ‘we in the twentieth century have outgrown that sort of thing.’

  ‘Perhaps we have,’ said Mr. Cardan. ‘Though I can’t imagine how we should have. Opinions change, of course, but the love of a show isn’t an opinion. It’s founded on something deeper, something which has no business to change.’ Mr. Cardan shook his head. ‘It reminds me,’ he went on after a little pause, ‘of another, similarly deep-rooted change that I can never account for: the change in our susceptibility to flattery. It’s impossible to read any ancient moralist without finding copious warnings against flatterers. “A flattering mouth worketh ruin” — it’s in the Bible. And the reward of the flatterer is also specified there. “He that speaketh flattery to his friends, even the eyes of his children shall fail” — though one would have thought that the vicariousness of the threatened punishment rendered it a little less formidable. But at any rate, in ancient days the great and the prosperous seem to have been fairly at the mercy of flatterers. And they laid it on so thick, they did their job, from all accounts, so extremely coarsely! Can it be that the educated plutocracy of tho
se days was really taken in by that sort of thing? It wouldn’t be now. The flattery would have to be a great deal more subtle nowadays to produce the same effect. Moreover, I never find in the works of the modern moralists any warnings against flatterers. There’s been some sort of change; though how it has come about, I really don’t quite know.’

  ‘Perhaps there has been a moral progress,’ suggested Mr. Falx.

  Lord Hovenden turned his eyes from Mr. Falx’s face, on which, while he was speaking, they had been reverently fixed, and smiled at Mr. Cardan with an air of inquiring triumph that seemed to ask whether he had any answer to make to that.

  ‘Perhaps,’ repeated Mr. Cardan, rather dubiously.

  Calamy suggested another reason. ‘It’s surely due,’ he said, ‘to the change in the position of the great and the prosperous. In the past they regarded themselves and were regarded by others as being what they were by divine right. Consequently, the grossest flattery seemed to them only their due. But now the right to be a prince or a millionaire seems a little less divine than it did. Flattery which once seemed only an expression of proper respect now sounds excessive; and what in the past was felt to be almost sincere is now regarded as ironical.’

  ‘I think you may be right,’ said Mr. Cardan. ‘One result, at any rate, of this slump in flattery has been a great alteration in the technique of the parasite.’

  ‘Has the technique of the parasite ever altered?’ asked Mr. Falx. Lord Hovenden passed on his question to Mr. Cardan in an interrogating smile. ‘Hasn’t he always been the same — living on the labours of society without contributing to the common stock?’

  ‘We are speaking of different sorts of parasites,’ Mr. Cardan explained, twinkling genially at the minor prophet. ‘Your parasites are the idle rich; mine are the idle poor who live on the idle rich. Big fleas have little fleas; I was referring to the tapeworms of tapeworms. A most interesting class, I assure you; and one that has never really had its due from the natural historians of humanity. True, there’s Lucian’s great work on the art of being a parasite, and a very fine work too; but a little out of date, particularly where flattery is concerned. Better than Lucian is Diderot. But the Neveu de Rameau deals with only a single type of parasite, and that not the most successful or the most worthy of imitation. Mr. Skimpole in Bleak House isn’t bad. But he lacks subtlety; he’s not a perfect model for the budding tapeworm. The fact is that no writer, so far as I’m aware, has really gone into the question of parasites. I feel their remissness,’ Mr. Cardan added, twinkling first at Mrs. Aldwinkle, then round the table at her guests, ‘almost as a personal affront. Professing as I do — or perhaps trying to profess would be a more accurate description — the parasitical mystery, I regard this conspiracy of silence as most insulting.’

 

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