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Author: Aldous Huxley

Category: Literature

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  And what a view it was! Or rather, what a succession of views. For it was different every day; and without stirring from the house one had the impression of an incessant change of scene: all the delights of travel without its fatigues. There were autumn days when all the valleys were filled with mist and the crests of Apennines rose darkly out of a flat white lake. There were days when the mist invaded even our hilltop and we were enveloped in a soft vapour in which the mist-coloured olive trees, that sloped away below our windows towards the valley, disappeared as though into their own spiritual essence; and the only firm and definite things in the small, dim world within which we found ourselves confined were the two tall black cypresses growing on a little projecting terrace a hundred feet down the hill. Black, sharp, and solid, they stood there, twin pillars of Hercules at the extremity of the known universe; and beyond them there was only pale cloud and round them only the cloudy olive trees.

  These were the wintry days; but there were days of spring and autumn, days unchangingly cloudless, or — more lovely still — made various by the huge floating shapes of vapour that, snowy above the far-away snow-capped mountains, gradually unfolded, against the pale bright blue, enormous heroic gestures. And in the height of the sky the bellying draperies, the swans, the aerial marbles, hewed and left unfinished by gods grown tired of creation almost before they had begun, drifted sleeping along the wind, changing form as they moved. And the sun would come and go behind them; and now the town in the valley would fade and almost vanish in the shadow, and now, like an immense fretted jewel between the hills, it would glow as though by its own light. And looking across the nearer tributary valley that wound from below our crest down towards the Amo, looking over the low dark shoulder of hill on whose extreme promontory stood the towered church of San Miniato, one saw the huge dome airily hanging on its ribs of masonry, the square campanile, the sharp spire of Santa Croce, and the canopied tower of the Signoria, rising above the intricate maze of houses, distinct and brilliant, like small treasures carved out of precious stones. For a moment only, and then their light would fade away once more, and the travelling beam would pick out, among the indigo hills beyond, a single golden crest.

  There were days when the air was wet with passed or with approaching rain, and all the distances seemed miraculously near and clear. The olive trees detached themselves one from another on the distant slopes; the far-away villages were lovely and pathetic like the most exquisite small toys. There were days in summer-time, days of impending thunder when, bright and sunlit against huge bellying masses of black and purple, the hills and the white houses shone as it were precariously, in a dying splendour, on the brink of some fearful calamity.

  How the hills changed and varied! Every day and every hour of the day, almost, they were different. There would be moments when, looking across the plain of Florence, one would see only a dark blue silhouette against the sky. The scene had no depth; there was only a hanging curtain painted flatly with the symbols of mountains. And then, suddenly almost, with the passing of a cloud, or when the sun had declined to a certain level in the sky, the flat scene transformed itself; and where there had been only a painted curtain, now there were ranges behind ranges of hills, graduated tone after tone from brown, or grey, or a green gold to far-away blue. Shapes that a moment before had been fused together indiscriminately into a single mass, now came apart into their constituents. Fiesole, which had seemed only a spur of Monte Morello, now revealed itself as the jutting headland of another system of hills, divided from the nearest bastions of its greater neighbour by a deep and shadowy valley.

  At noon, during the heats of summer, the landscape became dim, powdery, vague, and almost colourless under the midday sun; the hills disappeared into the trembling fringes of the sky. But as the afternoon wore on the landscape emerged again, it dropped its anonymity, it climbed back out of nothingness into form and life. And its life, as the sun sank and slowly sank through the long afternoon, grew richer, grew more intense with every moment. The level light, with its attendant long, dark shadows, laid bare, so to speak, the anatomy of the land; the hills — each western escarpment shining, and each slope averted from the sunlight profoundly shadowed — became massive, jutty, and solid. Little folds and dimples in the seemingly even ground revealed themselves. Eastward from our hilltop, across the plain of the Ema, a great bluff cast its ever-increasing shadow; in the surrounding brightness of the valley a whole town lay eclipsed within it. And as the sun expired on the horizon, the further hills flushed in its warm light, till their illumined flanks were the colour of tawny roses; but the valleys were already filled with the blue mist of evening. And it mounted, mounted; the fire went out of the western windows of the populous slopes; only the crests were still alight, and at last they too were all extinct. The mountains faded and fused together again into a flat painting of mountains against the pale evening sky. In a little while it was night; and if the moon were full, a ghost of the dead scene still haunted the horizons.

  Changeful in its beauty, this wide landscape always preserved a quality of humanness and domestication which made it, to my mind at any rate, the best of all landscapes to live with. Day by day one travelled through its different beauties; but the journey, like our ancestors’ Grand Tour, was always a journey through civilization. For all its mountains, its steep slopes and deep valleys, the Tuscan scene is dominated by its inhabitants. They have cultivated every rood of ground that can be cultivated; their houses are thickly scattered even over the hills, and the valleys are populous. Solitary on the hilltop, one is not alone in a wilderness. Man’s traces are across the country, and already — one feels it with satisfaction as one looks out across it — for centuries, for thousands of years, it has been his, submissive, tamed, and humanized. The wide, blank moorlands, the sands, the forests of innumerable trees — these are places for occasional visitation, healthful to the spirit which submits itself to them for not too long. But fiendish influences as well as divine haunt these total solitudes. The vegetative life of plants and things is alien and hostile to the human. Men cannot live at ease except where they have mastered their surroundings and where their accumulated lives outnumber and outweigh the vegetative lives about them. Stripped of its dark woods, planted, terraced, and tilled almost to the mountains’ tops, the Tuscan landscape is humanized and safe. Sometimes upon those who live in the midst of it there comes a longing for some place that is solitary, inhuman, lifeless, or peopled only with alien life. But the longing is soon satisfied, and one is glad to return to the civilized and submissive scene.

  I found that house on the hilltop the ideal dwelling-place. For there, safe in the midst of a humanized landscape, one was yet alone; one could be as solitary as one liked. Neighbours whom one never sees at close quarters are the ideal and perfect neighbours.

  Our nearest neighbours, in terms of physical proximity, lived very near. We had two sets of them, as a matter of fact, almost in the same house with us. One was the peasant family, who lived in a long, low building, part dwelling-house, part stables, storerooms and cowsheds, adjoining the villa. Our other neighbours — intermittent neighbours, however, for they only ventured out of town every now and then, during the most flawless weather — were the owners of the villa, who had reserved for themselves the smaller wing of the huge L-shaped house — a mere dozen rooms or so — leaving the remaining eighteen or twenty to us.

  They were a curious couple, our proprietors. An old husband, grey, listless, tottering, seventy at least; and a signora of about forty, short, very plump, with tiny fat hands and feet and a pair of very large, very dark black eyes, which she used with all the skill of a born comedian. Her vitality, if you could have harnessed it and made it do some useful work, would have supplied a whole town with electric light. The physicists talk of deriving energy from the atom; they would be more profitably employed nearer home — in discovering some way of tapping those enormous stores of vital energy which accumulate in unemployed women of sanguine temper
ament and which, in the present imperfect state of social and scientific organization, vent themselves in ways that are generally so deplorable: in interfering with other people’s affairs, in working up emotional scenes, in thinking about love and making it, and in bothering men till they cannot get on with their work.

  Signora Bondi got rid of her superfluous energy, among other ways, by “doing in” her tenants. The old gentleman, who was a retired merchant with a reputation for the most perfect rectitude, was allowed to have no dealings with us. When we came to see the house, it was the wife who showed us round. It was she who, with a lavish display of charm, with irresistible rollings of the eyes, expatiated on the merits of the place, sang the praises of the electric pump, glorified the bathroom (considering which, she insisted, the rent was remarkably moderate), and when we suggested calling in a surveyor to look over the house, earnestly begged us, as though our well-being were her only consideration, not to waste our money unnecessarily in doing anything so superfluous. “After all,” she said, “we are honest people. I wouldn’t dream of letting you the house except in perfect condition. Have confidence.” And she looked at me with an appealing, pained expression in her magnificent eyes, as though begging me not to insult her by my coarse suspiciousness. And leaving us no time to pursue the subject of surveyors any further, she began assuring us that our little boy was the most beautiful angel she had ever seen. By the time our interview with Signora Bondi was at an end, we had definitely decided to take the house.

  “Charming woman,” I said, as we left the house. But I think that Elizabeth was not quite so certain of it as I.

  Then the pump episode began.

  On the evening of our arrival in the house we switched on the electricity. The pump made a very professional whirring noise; but no water came out of the taps in the bathroom. We looked at one another doubtfully.

  “Charming woman?” Elizabeth raised her eyebrows.

  We asked for interviews; but somehow the old gentleman could never see us, and the Signora was invariably out or indisposed.

  We left notes; they were never answered. In the end, we found that the only method of communicating with our landlords, who were living in the same house with us, was to go down into Florence and send a registered express letter to them. For this they had to sign two separate receipts and even, if we chose to pay forty centimes more, a third incriminating document, which was then returned to us. There could be no pretending, as there always was with ordinary letters or notes, that the communication had never been received. We began at last to get answers to our complaints. The Signora, who wrote all the letters, started by telling us that, naturally, the pump didn’t work, as the cisterns were empty, owing to the long drought. I had to walk three miles to the post office in order to register my letter reminding her that there had been a violent thunderstorm only last Wednesday, and that the tanks were consequently more than half full. The answer came back: bath water had not been guaranteed in the contract; and if I wanted it, why hadn’t I had the pump looked at before I took the house? Another walk into town to ask the Signora next door whether she remembered her adjurations to us to have confidence in her, and to inform her that the existence in a house of a bathroom was in itself an implicit guarantee of bath water. The reply to that was that the Signora couldn’t continue to have communications with people who wrote so rudely to her. After that I put the matter into the hands of a lawyer. Two months later the pump was actually replaced. But we had to serve a writ on the lady before she gave in. And the costs were considerable.

  One day, towards the end of the episode, I met the old gentleman in the road, taking his big maremman dog for a walk — or being taken, rather, for a walk by the dog. For where the dog pulled the old gentleman had perforce to follow. And when it stopped to smell, or scratch the ground, or leave against a gatepost its visiting-card or an offensive challenge, patiently, at his end of the leash, the old man had to wait. I passed him standing at the side of the road, a few hundred yards below our house. The dog was sniffing at the roots of one of the twin cypresses which grew one on either side of the entry to a farm; I heard the beast growling indignantly to itself, as though it scented an intolerable insult. Old Signor Bondi, leashed to his dog, was waiting. The knees inside the tubular grey trousers were slightly bent.

  Leaning on his cane, he stood gazing mournfully and vacantly at the view. The whites of his old eyes were discoloured, like ancient billiard balls. In the grey, deeply wrinkled face, his nose was dyspeptically red. His white moustache, ragged and yellowing at the fringes, drooped in a melancholy curve. In his black tie he wore a very large diamond; perhaps that was what Signora Bondi had found so attractive about him.

  I took off my hat as I approached. The old man stared at me absently, and it was only when I was already almost past him that he recollected who I was.

  “Wait,” he called after me, “wait!” And he hastened down the road in pursuit. Taken utterly by surprise and at a disadvantage — for it was engaged in retorting to the affront imprinted on the cypress roots — the dog permitted itself to be jerked after him. Too much astonished to be anything but obedient, it followed its master. “Wait!”

  I waited.

  “My dear sir,” said the old gentleman, catching me by the lapel of my coat and blowing most disagreeably in my face, “I want to apologize.” He looked around him, as though afraid that even here he might be overheard. “I want to apologize,” he went on, “about that wretched pump business. I assure you that, if it had been only my affair, I’d have put the thing right as soon as you asked. You were quite right: a bathroom is an implicit guarantee of bath water. I saw from the first that we should have no chance if it came to court. And besides, I think one ought to treat one’s tenants as handsomely as one can afford to. But my wife” — he lowered his voice— “the fact is that she likes this sort of thing, even when she knows that she’s in the wrong and must lose. And besides, she hoped, I dare say, that you’d get tired of asking and have the job done yourself. I told her from the first that we ought to give in; but she wouldn’t listen. You see, she enjoys it. Still, now she sees that it must be done. In the course of the next two or three days you’ll be having your bath water. But I thought I’d just like to tell you how...” But the Maremmano, which had recovered by this time from its surprise of a moment since, suddenly bounded, growling, up the road. The old gentleman tried to hold the beast, strained at the leash, tottered unsteadily, then gave way and allowed himself to be dragged off. “... how sorry I am,” he went on, as he receded from me, “that this little misunderstanding.. But it was no use. “Good-bye.” He smiled politely, made a little deprecating gesture, as though he had suddenly remembered a pressing engagement, and had no time to explain what it was. “Good-bye.” He took off his hat and abandoned himself completely to the dog.

  A week later the water really did begin to flow, and the day after our first bath Signora Bondi, dressed in dove-grey satin and wearing all her pearls, came to call.

  “Is it peace now?” she asked, with a charming frankness, as she shook hands.

  We assured her that, so far as we were concerned, it certainly was.

  “But why did you write me such dreadfully rude letters?” she said, turning on me a reproachful glance that ought to have moved the most ruthless malefactor to contrition. “And then that writ. How could you? To a lady...”

  I mumbled something about the pump and our wanting baths.

  “But how could you expect me to listen to you while you were in that mood? Why didn’t you set about it differently — politely, charmingly?” She smiled at me and dropped her fluttering eyelids.

  I thought it best to change the conversation. It is disagreeable, when one is in the right, to be made to appear in the wrong.

  A few weeks later we had a letter — duly registered and by express messenger — in which the Signora asked us whether we proposed to renew our lease (which was only for six months), and notifying us that, if we did, the rent
would be raised 25 per cent., in consideration of the improvements which had been carried out. We thought ourselves lucky, at the end of much bargaining, to get the lease renewed for a whole year with an increase in the rent of only 15 per cent.

  It was chiefly for the sake of the view that we put up with these intolerable extortions. But we had found other reasons, after a few days’ residence, for liking the house. Of these the most cogent was that, in the peasant’s youngest child, we had discovered what seemed the perfect playfellow for our own small boy. Between little Guido — for that was his name — and the youngest of his brothers and sisters there was a gap of six or seven years. His two elder brothers worked with their father in the fields; since the time of the mother’s death, two or three years before we knew them, the eldest sister had ruled the house, and the younger, who had just left school, helped her and in between-whiles kept an eye on Guido, who by this time, however, needed very little looking after; for he was between six and seven years old and as precocious, self-assured, and responsible as the children of the poor, left as they are to themselves almost from the time they can walk, generally are.

  Though fully two and a half years older than little Robin — and at that age thirty months are crammed with half a lifetime’s experience — Guido took no undue advantage of his superior intelligence and strength. I have never seen a child more patient, tolerant, and untyrannical. He never laughed at Robin for his clumsy efforts to imitate his own prodigious feats; he did not tease or bully, but helped his small companion when he was in difficulties and explained when he could not understand. In return, Robin adored him, regarded him as the model and perfect Big Boy, and slavishly imitated him in every way he could.

  These attempts of Robin’s to imitate his companion were often exceedingly ludicrous. For by an obscure psychological law, words and actions in themselves quite serious become comic as soon as they are copied; and the more accurately, if the imitation is a deliberate parody, the funnier — for an overloaded imitation of some one we know does not make us laugh so much as one that is almost indistinguishably like the original. The bad imitation is only ludicrous when it is a piece of sincere and earnest flattery which does not quite come off. Robin’s imitations were mostly of this kind. His heroic and unsuccessful attempts to perform the feats of strength and skill, which Guido could do with ease, were exquisitely comic. And his careful, long-drawn imitations of Guido’s habits and mannerisms were no less amusing. Most ludicrous of all, because most earnestly undertaken and most incongruous in the imitator, were Robin’s impersonations of Guido in the pensive mood. Guido was a thoughtful child, given to brooding and sudden abstractions. One would find him sitting in a corner by himself, chin in hand, elbow on knee, plunged, to all appearances, in the profoundest meditation. And sometimes, even in the midst of his play, he would suddenly break off, to stand, his hands behind his back, frowning and staring at the ground. When this happened, Robin became overawed and a little disquieted. In a puzzled silence he looked at his companion.

 

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