Author: Aldous Huxley
Category: Literature
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He glared at her ferociously. It was with an effort that Grace kept her own gaze steady before those bright, dark, expressive eyes. He advanced towards her and laid his two hands on her shoulders ‘To-day,’ he said, ‘you’re going to be my lover’
Grace shook her head, smiling a capricious, eternally feminine smile ‘Yes, you are’ His grip on her shoulders tightened ‘No, I’m not,’ Grace answered. She drew in her breath rather sharply, he was hurting her ‘I tell you, you are’
They looked at one another, face close to face, enemies Grace’s heart violently beat ‘At one moment, I thought he was going to throttle me,’ she told Catherine. But she braved it out, and conquered
Kingham withdrew his hands from her shoulders and turned away. He walked across to the other side of the room and, leaning against the wall in the embrasure of the window, looked out in silence at the grey sky. Greatly relieved, Grace sat down on the divan. With a saucy and defiant movement that was, unfortunately, quite lost on Kingham’s stubbornly presented back, she tucked up her feet under her. Opening her handbag, she took out her cigarette case, opened that in its turn, extracted a cigarette and lighted it — all very nonchalantly and deliberately. She was steadying her nerves to resist another attack — steadying her nerves and perhaps, at the same time, preparing to annoy him, when he should turn round, by the spectacle of her unconcernedness. She had expected a repetition of the violences of a moment since, of the familiar denunciations of all the other days. She was not prepared to resist the new kind of attack which he now launched against her emotions. When at last — and she had more than half finished her cigarette before the long silence was broken — Kingham turned round and came towards her, she saw that he was weeping Kingham, as I have said, was no comedian. All that he professed to feel he felt, I am sure, genuinely. But he felt too easily and he was too fond of feeling. In situations where others would have exercised a restraint upon themselves, Kingham gave free rein to his emotions, or even actually roused and goaded them into a more violent and more prolonged activity. He needed no dervish tricks to work himself up, no dancing, no howling and drumming, no self-laceration. He could do the thing inwardly, by intense concentration on the object of his desire or hatred, on the cause of his pain or pleasure. He brooded over his loves or his grievances, making them seem more significant than they really were, he brooded, conjuring up in his imagination appropriate visions — of unpermitted raptures, when he was suffering from the pangs of desire, of scenes of insult, humiliation, rage, when he was angry with any one, of his own miserable self, when he desired to feel self-pity — himself, pictured as unloved, in solitude, utterly deserted, even dying. Long practice had made him an adept in the art of working up his emotions, of keeping himself uninterruptedly on the boil, so to speak, over a long period of time. In the course of these few brief weeks of his courtship, he had managed to convince himself that the interest he took in Grace was the most violent of passions and that he was suffering excruciatingly from her refusal — her devilish, her sadistic refusal — to be his mistress. Painfully and profoundly, he was enjoying it. The zest was still in the orgy, he felt no sense of satiety.
These tears were the result of a sudden and overwhelming feeling of self-pity, which had succeeded his mood of violence. He had perceived, all at once, that his violence was futile, it was absurd to suppose that he could shake or beat or throttle her into accepting him. He turned away in despair. He was alone, an, outcast, nobody cared for him, he was expending his spirit in a waste of shame — his precious, beautiful spirit — and there was no saving himself, the madness was too strong. He was done for, absolutely done for. Standing there, in the embrasure of the window, he had brooded over his miseries, until his sense of them became all of a sudden intolerable. The tears came into his eyes. He felt like a child, like a tired child who abandons himself, hopelessly, to misery.
All the animation went out of his face, it became like the face of a dead man, frozen into a mask of quiet misery. Pale, ruddy-bearded, delicately featured, it was like the face of a dead or dying Christ in some agonizing Flemish picture.
It was this dead Christ’s face that now turned back towards Grace Peddley. This dead Christ’s face — and it had been the face of Lucifer, burning with life and passion, menacingly, dangerously beautiful, that had turned put away from her. The eyes, which had shone so brightly then, were almost shut, giving the face an appearance of blindness, and between the half-closed lids there was a slow welling out of tears. The first sight of this suffering face startled her into a kind of terror. But the terror was succeeded almost at once by a great pity. That face, at once lifeless and suffering! And those tears.’ She had never seen a man shed tears before.
— She was overwhelmed by pity — by pity and, at the thought that it was all her fault, by a passion of repentance and self-abasement, by a desire to make amends. And at the same time she felt another and greater emotion, an emotion in which the pity and the repentance were included and from which they derived their strange intensity. It was the feeling that, for her, Kingham was the only person in the would who in any way mattered. It was love. In silence he crossed the room, dropped down on his knees before the divan where Grace, her cigarette still smoking between her fingers, half sat, half reclined, frozen by astonishment into a statue of lolling modernity, and laying his head in her lap, silently sobbed. The spell of Grace’s immobility was broken. She bent forward over him, she caressed his hair. The gesture recalled to her attention the half-smoked cigarette, she threw it into the fire-place. Her fingers touched his scalp, the nape of his neck, his ears, his averted cheek ‘My darling,’ she whimpered, ‘my darling. You mustn’t cry. It’s terrible when you cry’ And she herself began to cry. For a long time they remained in the same position, Kingham kneeling, his face pressed against her knees, Grace bending over him, stroking his hair, both weeping. Our thoughts and feelings are interdependent. It is only in language, not in fact, that they are separate and sharply differentiated. Some men are better mathematicians when they are in love than when they are out of it, some are worse. But in either case the emotion of love conditions the working of the intellect. Still more powerfully does it affect the other emotions, such as pity, courage, shame, fear of ridicule, which it enhances or diminishes as the case may be. It may be laid down as a general rule that the feeling of one strong emotion predisposes us automatically to the feeling of other emotions, however apparently incongruous with the first. Thus joy may predispose to pity and shame to anger. Anger and grief may both dispose to sensual desire. Violent disputes often end in love-making, and there are sometimes strange orgies over new-made graves, orgies, to the eye of the indifferent spectator, most unseemly, but which, as often as not, should be attributed less to a cynical lack of feeling than to its abundant presence. Grief creates a sense of loneliness, a desire in those who feel it to be comforted. At the same time, by throwing the whole personality into commotion, it renders the soul of the sufferer peculiarly susceptible to voluptuous influences and peculiarly unapt, in its state of disorganization, to exercise the customary self-restraints, so that when the desired comforter appears, it sometimes happens (conditions of sex and age being propitious) that sympathy is transformed, not merely into love, but into desires demanding immediate satisfaction. Some such transformation took place now. Tears gave place to kisses less and less tearful, to caresses and embracements. There were languors and ecstatic silences ‘I love you, I love you,’ Grace repeated, and was almost frightened by the vehemence of the new emotions, the intensity of the new and piercing sensations which she expressed in these old, blunted words, ‘I love you’.
And Kingham kissed her and permitted himself, for the moment, to be happy without reserve or inward comment, without a touch of that anticipated afterthought which turns the present into history, even as it unrolls itself, and — criticizing, appraising, judging and condemning — takes all the zest out of immediacy. He was simply happy. The time came for them to part ‘I must go�
�, said Grace, sighing. But the Grace who went was a different woman from the Grace who had come, two hours before. It was a worshipping, adoring Grace, a Grace made humble by love, a Grace for whom being modern and a grande dome and eighteenth-century and intellectually fashionable had suddenly ceased to have the slightest importance. Adjusting her hair before the glass, she was struck by the incongruity, the garish out-of-placeness of her new frock. Her love for Kingham, she felt, was something vast and significant, something positively holy, in the presence of that love, the new dress seemed a clown’s livery worn in a church. Next day she wore an old, pre-Rodney dress — white muslin with black dots, not at all showy, fashionable, or eccentric. Her soul had dressed itself, so to speak, to match. But Kingham, who had had time in the intervening hours to poison the memory of yesterday’s joy with every kind of venomous afterthought, to discover subtle and horrible explanations for actions that were obviously innocent and simple, received her as though she had changed neither her dress nor her spirit and were indeed the woman whose part she had been playing all these weeks ‘Well,’ he said, as he opened the door to her, ‘I see you’ve come for more.’
Grace, who had expected to be received with the gentle and beautiful tenderness which he had displayed on the previous day, was cruelly surprised by the brutality of his tone, the coldness and bitterness of his expression ‘More what?’ she asked, and from brightly exultant her eyes became apprehensive in their expression, the smile with which she had so eagerly entered the room faded, as she halted in front of him. Anxiously she looked into his face ‘More what?’
Kingham laughed a loud, unpleasant, mirthless laugh, and pointed to the divan Grace’s devilish concupiscence — that was what he had been chiefly dwelling on since last he saw her. For the first second Grace did not understand what he meant. This particular aspect of their love was so far from her mind, that it did not occur to her to imagine that it could be in Kingham’s. Then all at once his meaning dawned upon her. The blood ran up into her cheeks ‘Kingham!’ she protested (Kingham was one of those men whom everybody, even his closest intimates, called by his surname. For the rest, he had only a pair of initials — J G I never knew what they stood for John George, I should think. But it was quite irrelevant, he was always ‘Kingham,’ pure and simple )— ‘Kingham! How can you say such things?’
‘How can I?’ he repeated mockingly ‘Why, by not keeping’ a fig-leaf over my mouth, which is where the truly respectable, who never talk about their vices, always keep it. Do what you like, but don’t talk about it, that’s respectability. But dear me,’ he bantered on, ‘I thought you were as much beyond respectability as you are beyond good and evil — or below, whichever the case may be’
Grace, who had come in expecting a kiss and gentle words, walked slowly away from him across the room, sat down on the divan and began to cry. A moment later Kingham was holding her in his arms and kissing away her tears. He spoke no word, the kisses became more passionate. At first, she averted her face from them. But in the end she abandoned herself. For a time she was happy. She forgot Kingham’s cruel words, or if she remembered them, she remembered them as words spoken in a nightmare — by mistake, so to say, not on purpose, not seriously. She had begun to feel almost perfectly reassured, when Kingham disengaged himself suddenly and roughly from her embrace, jumped up and began restlessly walking up and down the room, ruffling his hair as he went ‘What a horrible thing it is to have a vice!’ he began ‘Something you carry about with you, but that isn’t yourself. Something that’s stronger than you are, that you want to resist and conquer, but can’t. A vice, a vice’ He was enchanted by the word, it became, for the moment, the core of his universe ‘It’s horrible. We’re possessed by devils, that’s what’s wrong with us. We carry our private devils about with us, our vices, and they’re too strong for us. They throw us down and horribly triumph’ He shuddered disgustedly ‘It’s horrible to feel yourself being murdered by your vice. The devil spiritually murdering you, suffocating your soul with warm soft flesh. My devil uses you as his instrument of murder, your devil uses me. Our vices conspire, it’s a conspiracy, a murder plot’ By this time Grace was unhappier than she had ever been in her life before (And yet, if Rodney had said the same thing, expressed a little differently — in terms of compliments on her ‘temperament’ — she would have been delighted, two months ago )
‘But you know I love you, you know, was all that she could say ‘What makes you say these things, when you know?’
Kingham laughed ‘Oh, I know,’ he answered, ‘I know, only too well I know what women like you mean by “love”’
‘But I’m not a woman like’ Grace hesitated,— ‘like me’ didn’t sound quite sensible, somehow ‘like that’
‘Not like yourself?’ Kingham asked derisively ‘Not like what you think,’ Grace insisted through the tangled confusion of words ‘Not silly, I mean, not frivolous and all that. Not really’ All those months with Rodney seemed a dream, and yet she had really lived through them. And there had really been champagne and sandwiches, and more than scientific conversations— ‘Not now, at any rate,’ she added ‘Now I know you. It’s different, can’t you understand. Utterly different. Because I love you, love you, love you, love you.’
Any one else would have allowed himself to be convinced, at any rate for the moment, would have begged pardon, kissed and made friends. But, for Kingham, that would have been too easy, too emotionally flat. He stuck to his position.
‘ I know you do,’ he answered, averting his gaze, as he spoke, from that pathetic, suffering face, from those wide-open grey eyes, perplexed and agonized, that looked up at him so appealingly, so abjectly even ‘So do! Your devil loves me. My devil loves you.’
‘But no,’ Grace brokenly protested ‘But why?—’
‘ Loves violently,’ he went on in a loud voice, almost shouting, ‘irresistibly’ And as he spoke the words he swung round and precipitated himself upon her with a kind of fury ‘Do you know what it is,’ he went on, as he held her, struggling a little and reluctant in his arms, ‘do you know what it is to love, not a person, not even their whole body, but just some part of it — insanely? Do you know what it is when the vice-devil concentrates its whole desire on one point, focuses it inexorably until nothing else exists but the nape of a neck, or a pectoral muscle, a foot, a knee, a hand? This hand, for example’ He took her hand and lifted it towards his face ‘And not even a whole hand,’ he continued ‘Just the ball of a thumb, just that little cushion of flesh that’s marked off from the rest of the palm by the line of life, just that soft, resilient, strong little cushion of flesh.’
He began to kiss the spot on Grace’s hand ‘Don’t, don’t. You mustn’t’ She tried to pull her hand away. But Kingham held it fast. He went on kissing that soft, rounded swell of muscle at the base of her palm, insistently, again and again, kissing and kissing. And sometimes he would take the flesh between his teeth and would bite, gently at first, then with a gradually increasing force, until the pain became almost unbearable and Grace cried out, when he would fall to kissing again, softly and tenderly, as though he were asking forgiveness, were trying to kiss the pain away Grace ceased to struggle and abandoned her hand to him, to do with what he liked. And little by little this insanely limited devil’s love-making seemed to evoke a special voluptuous sensibility in that particular square inch of skin upon which it was concentrated. Her whole capacity for feeling pleasure seemed to focus itself at the base of her left hand. Even the gradually increasing pain, as his teeth closed more and more tightly on her flesh, was pleasurable. She abandoned herself, but, at the same time, she felt ‘that there was something shameful and even horrible about this pleasure. What might have been simple and beautiful and joyous had been turned into something painful, complicated, ugly and obscure Kingham might congratulate himself on having produced a situation full of the most promising emotional possibilities I have reconstructed these scenes at some length because they were characteristic and typical of
the whole affair. In his search for intense and painful emotions, Kingham displayed a perverse ingenuity, he was never at a loss for a pretext to complicate the simple and distort the natural. His great resource was always Grace’s devilishness. Blind, as only Kingham could be blind, to all evidence to the contrary, he persisted in regarding Grace as a frivolous vampire, a monster of heartless vice. Her vampirishness and her vice were the qualities which attracted him to her, if he could have been convinced that she was really simple, innocent and childish, that her ‘devilish concupiscence’ was in actual fact an abject, unhappy adoration, he would have ceased to take any interest in her. Pleading meant as little to him as evidence. If Grace protested too vigorously, Kingham would bring up the affair with Rodney. What was that but vice, plain and unvarnished? Had not she herself admitted that she didn’t love the man? Miserably, despairingly, Grace would confess in answer that she had certainly been silly and frivolous and feather-headed, but that now all that was done with. Everything was different, she was different, now. Because she loved him. To which Kingham would retort by expatiating with fiery eloquence about the horrors of vice, until at last Grace began to cry.
Grace’s devilishness formed the staple and chronic pretext for scenes. But Kingham was inventive and there were plenty of other excuses — Observant — for he was acutely ob. servant, wherever he chose not to be blind — Kingham had early realized the entirely vague and accidental nature of all Grace’s ideas, convictions, principles, and opinions. He perceived that what she thought about music, for example, was only a distorted and fragmentary version of what I thought, that her opinions on art were Rodney’s, muddled, that her philosophic and literary convictions were like a parboiled lobster— ‘the fading sable and the coming gules’ — half Rodney’s and half, already, his own. And perceiving these things, he mocked her for her intellectual hypocrisy and snobbery. He found plenty of opportunities for hurting and humiliating her. On other occasions, he would reproach her with untruthfulness and mean dissimulation, because she did not frankly tell John Peddley of her infidelity to him ‘I don’t want to make him unnecessarily miserable,’ Grace protested.