Author: Aldous Huxley
Category: Literature
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“Paul, Paul,” said his father reproachfully.
“Where’s mother?”
“She’s not eating to-day,” Herbert answered.
“All the same,” Paul grumbled under his breath, “she really might have taken the trouble to make something hot for us.” Sylvia meanwhile sat without raising her eyes from her plate of potato salad, eating in silence.
Aldous Huxley was born in 1894, the third son of Leonard Huxley and grandson of T. H. Huxley. From a preparatory school (described in Eyeless in Gaza) he went on to Eton, which he left at seventeen owing to serious eye trouble which left him nearly blind. One eye recovered sufficiently for him to enter Oxford in 1913, but he had to abandon his hope of becoming a physician and was rejected for military service in 1914. In 1919 he married Maria Nys, a Belgian, and joined the Athenaeum magazine, writing biographical and architectural articles and reviews of Action, drama, music, and art. Having already published three books of verse, he began with Limbo and Crome Yellow the series of stories and novels which combined dazzling intellectual dialogue and a surface cynicism with a ground of clear moral convictions, and exerted a strong emancipating influence. In the twenties Huxley lived mostly in Italy; in the thirties his home was near Toulon, France. To this period belonged Brave New ‘World, a pessimistic futurist novel and his best known. In 1937 the state of his eyes led him to move to California, where he became convinced of the value of mystical experience, the theme of several of his later works. After the death of his first wife in 1955, Huxley married Laura Archera. Their home was destroyed by fire in 1961; little survived apart from the manuscript of Island, his last novel. Aldous Huxley died in November 1963.
After the Fireworks
1
‘LATE AS USUAL. Late.’ Judd’s voice was censorious. The words fell sharp, like beak-blows. ‘As though I were a nut,’ Miles Fanning thought resentfully, ‘and he were a woodpecker. And yet he’s devotion itself, he’d do anything for me. Which is why, I suppose, he feels entitled to crack my shell each time he sees me.’ And he came to the conclusion, as he had so often come before, that he really didn’t like Colin Judd at all. ‘My oldest friend, whom I quite definitely don’t like. Still . . .’ Still, Judd was an asset, Judd was worth it.
‘Here are your letters,’ the sharp voice continued.
Fanning groaned as he took them. ‘Can’t one ever escape from letters? Even here, in Rome? They seem to get through everything. Like filter-passing bacteria. Those blessed days before post offices!’ Sipping, he examined, over the rim of his coffee cup, the addresses on the envelopes.
‘You’d be the first to complain if people didn’t write,’ Judd rapped out. ‘Here’s your egg. Boiled for three minutes exactly. I saw to it myself.’
Taking his egg, ‘On the contrary,’ Fanning answered, ‘I’d be the first to rejoice. If people write, it means they exist; and all I ask for is to be able to pretend that the world doesn’t exist. The wicked flee when no man pursueth. How well I understand them! But letters don’t allow you to be an ostrich. The Freudians say . . .’ He broke off suddenly. After all he was talking to Colin — to Colin. The confessional, self-accusatory manner was wholly misplaced. Pointless to give Colin the excuse to say something disagreeable. But what he had been going to say about the Freudians was amusing. ‘The Freudians,’ he began again.
But taking advantage of forty years of intimacy, Judd had already started to be disagreeable. ‘But you’d be miserable,’ he was saying, ‘if the post didn’t bring you your regular dose of praise and admiration and sympathy and . . .’
‘And humiliation,’ added Fanning, who had opened one of the envelopes and was looking at the letter within. ‘Listen to this. From my American publishers. Sales and Publicity Department. “My dear Mr Fanning.” My dear, mark you. Wilbur F. Schmalz’s dear. “My dear Mr Fanning, — Won’t you take us into your confidence with regard to your plans for the Summer Vacation? What aspect of the Great Outdoors are you favouring this year? Ocean or Mountain, Woodland or purling Lake? I would esteem it a great privilege if you would inform me, as I am preparing a series of notes for the Literary Editors of our leading journals, who are, as I have often found in the past, exceedingly receptive to such personal material, particularly when accompanied by well-chosen snapshots. So won’t you cooperate with us in providing this service? Very cordially yours, Wilbur F. Schmalz.” Well, what do you think of that?’
‘I think you’ll answer him,’ said Judd. ‘Charmingly,’ he added, envenoming his malice. Fanning gave a laugh, whose very ease and heartiness betrayed his discomfort. ‘And you’ll even send him a snapshot.’
Contemptuously — too contemptuously (he felt it at the time) — Fanning crumpled up the letter and threw it into the fireplace. The really humiliating thing, he reflected, was that Judd was quite right: he would write to Mr Schmalz about the Great Outdoors, he would send the first snapshot anybody took of him. There was a silence. Fanning ate two or three spoonfuls of egg. Perfectly boiled, for once. But still, what a relief that Colin was going away! After all, he reflected, there’s a great deal to be said for a friend who has a house in Rome and who invites you to stay, even when he isn’t there. To such a man much must be forgiven — even his infernal habit of being a woodpecker. He opened another envelope and began to read.
Possessive and preoccupied, like an anxious mother, Judd watched him. With all his talents and intelligence, Miles wasn’t fit to face the world alone. Judd had told him so (peck, peck!) again and again. ‘You’re a child!’ He had said it a thousand times. ‘You ought to have somebody to look after you.’ But if any one other than himself offered to do it, how bitterly jealous and resentful he became! And the trouble was that there were always so many applicants for the post of Fanning’s bear-leader. Foolish men or, worse and more frequently, foolish women, attracted to him by his reputation and then conquered by his charm. Judd hated and professed to be loftily contemptuous of them. And the more Fanning liked his admiring bear-leaders, the loftier Judd’s contempt became. For that was the bitter and unforgivable thing: Fanning manifestly preferred their bear-leading to Judd’s. They flattered the bear, they caressed and even worshipped him; and the bear, of course, was charming to them, until such time as he growled, or bit, or, more often, quietly slunk away. Then they were surprised, they were pained. Because, as Judd would say with a grim satisfaction, they didn’t know what Fanning was really like. Whereas he did know and had known since they were schoolboys together, nearly forty years before. Therefore he had a right to like him — a right and, at the same time, a duty to tell him all the reasons why he ought not to like him. Fanning didn’t much enjoy listening to these reasons; he preferred to go where the bear was a sacred animal. With that air, which seemed so natural on his grey sharp face, of being dispassionately impersonal, ‘You’re afraid of healthy criticism,’ Judd would tell him. ‘You always were, even as a boy.’
‘He’s Jehovah,’ Fanning would complain. ‘Life with Judd is one long Old Testament. Being one of the Chosen People must have been bad enough. But to be the Chosen Person, in the singular . . .’ and he would shake his head. ‘Terrible!’
And yet he had never seriously quarrelled with Colin Judd. Active unpleasantness was something which Fanning avoided as much as possible. He had never even made any determined attempt to fade out of Judd’s existence as he had faded, at one time or another, out of the existence of so many once intimate bear-leaders. The habit of their intimacy was of too long standing and, besides, old Colin was so useful, so bottomlessly reliable. So Judd remained for him the Oldest Friend whom one definitely dislikes; while for Judd, he was the Oldest Friend whom one adores and at the same time hates for not adoring back, the Oldest Friend whom one never sees enough of, but whom, when he is there, one finds insufferably exasperating, the Oldest Friend whom, in spite of all one’s efforts, one is always getting on the nerves of.
‘If only,’ Judd was thinking, ‘he could have faith!’ The Catholic Church was there
to help him. (Judd himself was a convert of more than twenty years’ standing.) But the trouble was that Fanning didn’t want to be helped by the Church; he could only see the comic side of Judd’s religion. Judd was reserving his missionary efforts till his friend should be old or ill. But if only, meanwhile, if only, by some miracle of grace . . . So thought the good Catholic; but it was the jealous friend who felt and who obscurely schemed. Converted, Miles Fanning would be separated from his other friends and brought, Judd realized, nearer to himself.
Watching him, as he read his letter, Judd noticed, all at once, that Fanning’s lips were twitching involuntarily into a smile. They were full lips, well cut, sensitive and sensual; his smiles were a little crooked. A dark fury suddenly fell on Colin Judd.
‘Telling me that you’d like to get no letters!’ he said with an icy vehemence. ‘When you sit there grinning to yourself over some silly woman’s flatteries.’
Amazed, amused, ‘But what an outburst!’ said Fanning, looking up from his letter.
Judd swallowed his rage; he had made a fool of himself. It was in a tone of calm dispassionate flatness that he spoke. Only his eyes remained angry. ‘Was I right?’ he asked.
‘So far as the woman was concerned,’ Fanning answered. ‘But wrong about the flattery. Women have no time nowadays to talk about anything except themselves.’
‘Which is only another way of flattering,’ said Judd obstinately. ‘They confide in you, because they think you’ll like being treated as a person who understands.’
‘Which is what, after all, I am. By profession even.’ Fanning spoke with an exasperating mildness. ‘What is a novelist, unless he’s a person who understands?’ He paused; but Judd made no answer, for the only words he could have uttered would have been whirling words of rage and jealousy. He was jealous not only of the friends, the lovers, the admiring correspondents; he was jealous of a part of Fanning himself, of the artist, the public personage; for the artist, the public personage seemed so often to stand between his friend and himself. He hated, while he gloried in them.
Fanning looked at him for a moment, expectantly; but the other kept his mouth tight shut, his eyes averted. In the same exasperatingly gentle tone, ‘And flattery or no flattery,’ Fanning went on, ‘this is a charming letter. And the girl’s adorable.’
He was having his revenge. Nothing upset poor Colin Judd so much as having to listen to talk about women or love. He had a horror of anything connected with the act, the mere thought, of sex. Fanning called it his perversion. ‘You’re one of those unspeakable chastity-perverts,’ he would say, when he wanted to get his own back after a bout of pecking. ‘If I had children, I’d never allow them to frequent your company. Too dangerous.’ When he spoke of the forbidden subject, Judd would either writhe, a martyr, or else unchristianly explode. On this occasion he writhed and was silent. ‘Adorable,’ Fanning repeated, provocatively. ‘A ravishing little creature. Though of course she may be a huge great camel. That’s the danger of unknown correspondents. The best letter-writers are often camels. It’s a piece of natural history I’ve learned by the bitterest experience.’ Looking back at the letter, ‘All the same,’ he went on, ‘when a young girl writes to one that she’s sure one’s the only person in the world who can tell her exactly who and what (both heavily underlined) she is — well, one’s rather tempted, I must confess, to try yet once more. Because even if she were a camel she’d be a very young one. Twenty-one — isn’t that what she says?’ He turned over a page of the letter. ‘Yes; twenty-one. Also she writes in orange ink. And doesn’t like the Botticellis at the Uffizi. But I hadn’t told you; she’s at Florence. This letter has been to London and back. We’re practically neighbours. And here’s something that’s really rather good. Listen. “What I like about the Italian women is that they don’t seem to be rather ashamed of being women, like so many English girls are, because English girls seem to go about apologizing for their figures, as though they were punctured, the way they hold themselves — it’s really rather abject. But here they’re all pleased and proud and not a bit apologetic or punctured, but just the opposite, which I really like, don’t you?” Yes, I do,’ Fanning answered, looking up from the letter. ‘I like it very much indeed. I’ve always been opposed to these modern Ars est celare arsem fashions. I like unpuncturedness and I’m charmed by the letter. Yes, charmed. Aren’t you?’
In a voice that trembled with hardly-restrained indignation, ‘No, I’m not!’ Judd answered; and without looking at Fanning, he got up and walked quickly out of the room.
2
Judd had gone to stay with his old Aunt Caroline at Montreux. It was an annual affair; for Judd lived chronometrically. Most of June and the first half of July were always devoted to Aunt Caroline and devoted, invariably, at Montreux. On the fifteenth of July, Aunt Caroline was rejoined by her friend Miss Gaskin and Judd was free to proceed to England. In England he stayed till September the thirteenth, when he returned to Rome— ‘for the praying season,’ as Fanning irreverently put it. The beautiful regularity of poor Colin’s existence was a source of endless amusement to his friend. Fanning never had any plans. ‘I just accept what turns up,’ he would explain. ‘Heads or tails — it’s the only rational way of living. Chance generally knows so much better than we do. The Greeks elected most of their officials by lot — how wisely! Why shouldn’t we toss up for Prime Ministers? We’d be much better governed. Or a sort of Calcutta Sweep for all the responsible posts in Church and State. The only horror would be if one were to win the sweep oneself. Imagine drawing the Permanent Under-Secretaryship for Education! Or the Archbishopric of Canterbury! Or the Vice-royalty of India! One would just have to drink weed-killer. But as things are, luckily . . .’
Luckily, he was at liberty, under the present dispensation, to stroll, very slowly, in a suit of cream-coloured silk, down the shady side of the Via Condotti towards the Spanish Steps. Slowly, slowly. The air was streaked with invisible bars of heat and cold. Coolness came flowing out of shadowed doorways, and at every transverse street the sun breathed fiercely. Like walking through the ghost of a zebra, he thought.
Three beautiful young women passed him, talking and laughing together. Like laughing flowers, like deer, like little horses. And of course absolutely unpunctured, unapologetic. He smiled to himself, thinking of the letter and also of his own reply to it.
A pair of pink and white monsters loomed up, as though from behind the glass of an aquarium. But not speechless. For ‘Grossartig!’ fell enthusiastically on Fanning’s ear as they passed, and ‘Fabelhaft!’ These Nordics! He shook his head. Time they were put a stop to.
In the looking-glasses of a milliner’s window a tall man in creamy-white walked slowly to meet him, hat in hand. The face was aquiline and eager, brown with much exposure to the sun. The waved, rather wiry hair was dark almost to blackness. It grew thickly, and the height of the forehead owed nothing to the approach of baldness. But what pleased Fanning most was the slimness and straightness of the tall figure. Those sedentary men of letters, with their sagging tremulous paunches — they were enough to make one hate the very thought of literature. What had been Fanning’s horror when, a year before, he had realized that his own paunch was showing the first preliminary signs of sagging! But Mr Hornibrooke’s exercises had been wonderful. ‘The Culture of the Abdomen.’ So much more important, as he had remarked in the course of the last few months at so many dinner tables, than the culture of the mind! For of course he had taken everybody into his confidence about the paunch. He took everybody into his confidence about almost everything. About his love-affairs and his literary projects; about his illnesses and his philosophy; his vices and his bank balance. He lived a rich and variegated private life in public; it was one of the secrets of his charm. To the indignant protests of poor jealous Colin, who reproached him with being an exhibitionist, shameless, a self-exploiter, ‘You take everything so moralistically,’ he had answered. ‘You seem to imagine people do everything on purpose. But
people do hardly anything on purpose. They behave as they do because they can’t help it; that’s what they happen to be like. “I am that I am”; Jehovah’s is the last word in realistic psychology. I am what I am — a sort of soft transparent jelly-fish. While you’re what you are — very tightly shut, opaque, heavily armoured: in a word, a giant clam. Morality doesn’t enter; it’s a case for scientific classification. You should be more of a Linnaeus, Colin, and less the Samuel Smiles.’ Judd had been reduced to a grumbling silence. What he really resented was the fact that Fanning’s confidences were given to upstart friends, to strangers even, before they were given to him. It was only to be expected. The clam’s shell keeps the outside things out as effectually as it keeps the inside things in. In Judd’s case, moreover, the shell served as an instrument of reproachful pinching.
From his cool street Fanning emerged into the Piazza di Spagna. The sunlight was stinging hot and dazzling. The flower venders on the steps sat in the midst of great explosions of colour. He bought a gardenia from one of them and stuck it in his buttonhole. From the windows of the English bookshop ‘The Return of Eurydice, by Miles Fanning’ stared at him again and again. They were making a regular display of his latest volume in Tauchnitz. Satisfactory, no doubt; but also, of course, rather ridiculous and even humiliating, when one reflected that the book would be read by people like that estimable upper middle-class couple there, with their noses at the next window — that Civil Servant, he guessed, with the sweet little artistic wife and the artistic little house on Campden Hill — would be read by them dutifully (for of course they worked hard to keep abreast of everything) and discussed at their charming little dinner parties and finally condemned as ‘extraordinarily brilliant, but . . .’ Yes, but, but. For they were obviously regular subscribers to Punch, were vertebrae in the backbone of England, were upholders of all that was depressingly finest, all that was lifelessly and genteelly best in the English upper-class tradition. And when they recognized him (as it was obvious to Fanning, in spite of their discreet politeness, that they did) his vanity, instead of being flattered, was hurt. Being recognized by people like that — such was fame! What a humiliation, what a personal insult!